Another source of inspiration was Rube Lacey,[11] a much better known performer who had recorded for Columbia Records in 1927 (no titles were released) and for Paramount Records in 1928 (two titles were released). Bar 2 illustrates House's "moveable" dominant chord ("C7"), its low/high notes strummed in alternation. So then there was Willie, me and Louise McGhee. DVDs Blu-ray VHS. 10 IQ. Son House. By June 14, 2022 cold waters weapons guide June 14, 2022 cold waters weapons guide All rights reserved. A lot of blues singers have been vastly over-recorded over the years, and a lot more have not been given the opportunities they deserved until they have been far too old to work. This is 100% legal. [8][9], As a male singer, Johnson could plausibly speak of the dangerous hobo practice of "riding the blinds" defined as "To cadge a lift by standing on the platform attached to the blind baggage cara car that ain't got no door in the end that's next to the engine". Son House. "Walkin' Blues" by Son House and "Blue Moon of Kentucky" by Elvis Presley "Wakin' Blues" entails a blue standard song done by Son House; however, the song was made popular in 1936 by Robert Johnson. All that mattered was the attitude. Besides "Walking Blues", Johnson's 1936 rendition incorporates melodic and rhythmic elements from House's "My Black Mama" (which House also used for his "Death Letter") and slide guitar techniques Johnson learned from House. Also, the lyrics "woke up this morning feeling down to my shoes" and "I got the [epithet] blues" were used in early blues songs. B. I said I ain't coming back, honey, until you change your mind. House said that he was born in Lyon. Its popularity increased in 1961, after the . From the Album Library Of Congress 1941-1942 - Sessions . Document: 3:00 : 1998 : Various Artists . [14], However, these songs were received with great enthusiasm by a small group of white jazz record collectors and critics. The baton had been passed. Johnson and then House became cult figures of the 1960s American folk-music 'revival'; Waters's Chicago rhythm and blues, which he developed in the late 1940s, have sustained him with black and, subsequently, white audiences since that time, his early commercial recordings being absorbed and sometimes emulated by groups such as the Rolling Stones.
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