Well in case it needs to be reiterated the undisputed god fathers of heavy metal were ,,, come on,,,,, you guessed it,,,,,, Black Sabbath . Here Tony Iommi began to experiment with tuning his guitar down three half-steps to C#, producing a sound that was darker, deeper, and sludgier than anything they'd yet committed to record. "Master of Reality" also features a pair of 'interlude' tracks that work best as experimental sketches. And deliver it they did. This was no doubt revolutionary but like most things that have the right to own the distinction as first of the kind, it is eventually surpassed in subsequent generations as all of the tools available to make the original will be available and more advanced later on. I'll be honest: Ozzy Osbourne's vocals were not technically good. Master of Reality trudges out of the primordial ooze to remind them that they should be afraid. And then theres Solitude, which kind of sucks. The tone and themes here are very dark. About "Master of Reality" Black Sabbath's third studio album, released in July 1971, was pivotal in cementing the band's reputation and eventually went double platinum. One thing that doesn't really get talked about regarding Black Sabbath, beginning with Master of Reality is just how high Ozzy's vocals would get here. But, if a core of five songs seems slight for a classic album, it's also important to note that those five songs represent a nearly bottomless bag of tricks, many of which are still being imitated and explored decades later. To my ears it is never good to have Ozzy sing over slow music, where we are forced to listen to his voice. Furthermore, the drumming here is positively tribal, Bill Ward proving once more to be one of the keys to the Sabbath equation. "Black Sabbath" Their first two albums are basically dark blues records, the run from Volume 4 to Sabotage might as well be prog rock, and their last two with Ozzy arent heavy by any stretch of the imagination. What's more, the main guitar melody - complete with some sweet bass playing - is actually triumphant. "Lord of this World" and its intro "Orchid" are the true standouts on this record. The album by and large succeeds simply by virtue of still being far heavier than anything else being produced at the time, with songs like Sweet Leaf, Lord of This World, and the thunderous Children of the Grave being particular highlights. "Sweet Leaf" is a prime example of why I dislike Bill Ward's style. While the lyrics are simple on paper, their subtle tone enhances the themes, and they would be further executed by the instruments and vocals. Ozzys voice is in top form as he expresses his undying love for marijuana, and the band sounds equally confident.
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black sabbath master of reality tuning